November 2, 2024

Emami Art’s 2024 Experimental Film Festival Brings Innovation to the Screen

Emami Art Experimental Film Festival 2024: Showcasing Bold New Visions in Cinema01  November 2024 : Emami Art Experimental Film Festival (EAEFF) is a platform dedicated to curating and building discourses around alternative and experimental films, videos, and artists’ moving image practices. The Third Edition of the festival – EAEFF 24, showcases the works of some of the internationally acclaimed artists and filmmakers alongside recent critical films from India selected via an Open Call. Through the extensive year-long programming, EAEFF celebrates innovative practices and critical interventions through screenings, workshops, masterclasses, and performance screenings. The festival adopts an expanded format bringing together various moving image practices across forms, mediums, and geographies.

This film festival is conceptualised by Ushmita Sahu, Director, Emami Art

Quote by the Director

  1. Since its inception in 2021, the Emami Art Experimental Film Festival (EAEFF) has become a crucial platform for experimental filmmaking and moving image practices in South Asia. It nurtures emerging filmmakers and amplifies marginalized voices by showcasing innovative artistic practices. EAEFF fosters critical dialogue and reflection, encouraging a deeper understanding of diverse socio-political contexts. The festival not only challenges mainstream narratives but also celebrates the rich tapestry of contemporary moving images, making it a significant force in the evolving landscape of global experimental cinema. The festival will be screening more than 50 plus films across five curated sections (international), official selections and award winners from an All-India Open Call. This year the festival is supported by several prestigious international organisations such as Canada Council for the Arts, Conseil des arts et des lettres du Québec, Coventry Biennial, UK, Embassy of Switzerland in India & Bhutan, Goethe Institut Max Mueller Bhavan Kolkata and AG KurzFilm German Short Film Association.

(Says Ushmita Sahu, Director & Head Curator of Emami Art)

EAEFF 24 SPONSORS & COLLABORATORS

Canada Council for the Arts
Conseil des arts et des lettres du Québec
Coventry Biennial, UK
Embassy of Switzerland in India & Bhutan
Goethe Institut Max Mueller Bhavan Kolkata and
AG KurzFilm German Short Film Association
Kolkata Centre for Creativity

International Spotlight

The EAEFF 24 international spotlight section weaves a rich tapestry of unique filmmaking perspectives, languages, and artistic expressions, fostering an enhanced understanding of the experimental moving image genre. The German section, curated by the Goethe Institute Kolkata Max Mueller Bhavan and AG Kurzfilm, emphasises contemporary filmmakers grappling with themes of origin and memory, merging diverse backgrounds to reconstruct identities through innovative storytelling. The Canada focus on filmmaker Solomon Nagler and Alexandre Larose, and supported by the Canada Council for the Arts and Conseil des arts et des lettres du Québec, invites audiences to engage with human gestures and industrial decay, offering fragmented narratives that explore the visceral connections between memory and materiality. In the South Asian section, curators Arpita Akhanda and Sayanth RS delve into socio-political issues, spotlighting how history, infrastructure and cultural narratives shape collective memory. The Swiss section, curated by Damian Christinger and supported by the Swiss Embassy in India & Bhutan, investigates the human impact on nature and the merging of Indigenous knowledge with scientific perspectives, urging viewers to reflect on ecological narratives. Finally, the UK segment, supported by Coventry Biennial and curated by Ryan Hughes, highlights innovative practices within the experimental film scene, addressing pressing social issues through art and activism. Each international section of EAEFF 2024 brings forth artistic experimentation and serves as a platform for critical engagement with contemporary global challenges, fostering a deeper understanding of cultural identities and narratives in an interconnected world.

EAEFF 24 CURATED SCREENINGS

Region in Focus: Germany
Curated & Supported by Goethe Institute, Kolkata and AG Kurzfilm

Region in Focus: UK
Curated by Ryan Hughes and Supported by Coventry Biennial, Coventry, UK

Region in Focus: Switzerland
Curated by Damian Christinger and
supported by Swiss Embassy in India & Bhutan

Region in Focus: South Asia
Curated by Arpita Akhanda and Sayanth R S

Region in Focus: Canada
Masterclass and Retrospective Screening by
Solomon Nagler & Alexandre Larose
Supported by Canada Council for the Arts and Conseil des arts et des lettres du Québec

Masterclass & Retrospective Screenings

Filmmakers in Focus:
Solomon Nagler and Alexandre Larose

Supported by Canada Council for the Arts and Conseil des arts et des lettres du Québec

Solomon Nagler and Alexandre Larose will present experimental film programs exploring themes of memory, displacement, and the cinematic medium. Nagler’s films are marked by fragmented forms, evoking history and loss. Notes on Gesture (2007) meditates on the ineffable nature of human gestures, while skin of the cit-y (2016) contemplates industrial decay in Maritime cities. Song of the Holy Fire (2023) explores Jewish memory and Holocaust history through fragmented archives, and perhaps/We (2003) is a haunting reflection on loss and memory. In Fugue Nefesh (2007), Nagler ties together Holocaust survivors and displaced individuals in an allegorical portrayal of transmigration. Larose’s films focus on the materiality of the medium and personal memory through multi-layered exposures. His Sackville Marshwalk (2013) superimposes multiple trajectories, while le vestibule (2015) explores light and texture. The triptych I., II., III. (2022) captures intimate domestic scenes, rendered hypnotic through layered exposures. In brouillard #14 (2013), Larose traces walks through a landscape of pulsating light, examining the intersection of material and perception. Both filmmakers’ works delve into the interplay of time, memory, and the medium of film, using their technical mastery to create visceral, layered visual experiences.

Solomon Nagler and Alexandre Larose will also be conducting masterclasses on 7th November 2024 (the second day of the festival). They will be present at KCC between 6th to 10th of November 2024

EAEFF 24 Open Call for OFFICIAL COMPETITION AND AWARDS

The open call for experimental films at the Emami Art Experimental Film Festival (EAEFF) 2024 represents a critical intervention in the landscape of contemporary experimental cinema and moving image practices, particularly within South Asia. By inviting submissions all-India level, this initiative not only democratizes access to a growing platform but also serves as a vital incubator for innovative practices, offering emerging moving image practitioners the opportunity to push the boundaries of form and content, thereby enriching the cultural dialogue surrounding experimental cinema. The festival’s commitment to supporting ground-breaking productions underscores the importance of fostering a global perspective while simultaneously addressing regional/national narratives. Moreover, the selection process, guided by an esteemed panel of jurors: Ashish Avikunthak, Claudio Caldini, Damian Christinger & Madhuja Mukherjee, with expertise in the genre, ensures that the chosen works meet a high standard of artistic integrity. This rigorous curation is essential in elevating the status of experimental films, which often struggle for visibility in a field dominated by mainstream narratives. Ultimately, EAEFF’s open call amplifies underrepresented voices and positions experimental cinema as a significant force in both South Asian and international film discourse, challenging audiences to engage with complex, non-traditional narratives.

The current edition (third) of the Open Call received more than 400 applications from Indian and International experimental filmmakers and artists from across the world.

EAEFF 24 Open Call JURORS: Ashish Avikunthak, Claudio Caldini, Damian Christinger, Madhuja Mukherjee

Ashish Avikunthak (born in 1972) is an Indian avant-garde filmmaker, film theorist, archaeologist and cultural anthropologist. His works have been screened at art galleries and private screenings, including Tate Modern, Centre George Pompidou, and Paris Film Archive; along with Rotterdam, Locarno, and London film festivals, among others. He is a professor of film media at Harrington School of Communication, University of Rhode Island. He is considered to be an iconoclastic film artist who works outside Indian mainstream cinema. His films explore Indian philosophy and existentialism and are categorized by their use of unorthodox cinematography and editing. Avikunthak films are rooted in Indian religion, epistemology, ritual, and form. Mythical, metaphysical, metaphorical, and mundane elements are found in his work. Art Review describes his works as: “Avikunthak’s works insist on an Indian epistemology while utilizing a rigorously formal visual language that is clearly aware of Western avant-garde practices such as those of Andrei Tarkovsky and Samuel Beckett. These are self-consciously difficult works that are filmed in a self-consciously beautiful way.” In his essay “Cinema of Prayoga”, Amrit Gangar names Avikunthak’s films as an example of his eponymous strain of filmmaking.

Claudio Caldini
Buenos Aires, 1952. Realizador de cine experimental, documental, videos y performances de cine expandido. En 1971 comenzó sus estudios en el Centro Experimental del Instituto Nacional de Cinematografía. Seminarios con Werner Nekes (1980) y Werner Schroeter (1983) en el Goethe-Institut Buenos Aires. Diseño de iluminación para teatro y conciertos de rock. Compositor de música electrónica. Curador de Cine y Video en el Museo de Arte Moderno de Buenos Aires (1998 – 2004) Miembro del Jurado del International Short Film Festival Oberhausen, Alemania (2003). Artist in Residence at the Glenfiddich Distillery, Dufftown, Scotland (2005). Visiting Artist at LIFT (Liaison of Independent Filmmakers of Toronto, 2015). Primer Premio de la Primera Semana del Cine Experimental de Madrid por su film El devenir de las piedras (1991). Gran Premio del III Festival Franco-Latinoamericano de Video Arte por su video Heliografía (1994). Premio Leonardo del Museo Nacional de Bellas Artes (1997). Beca de la Fundación Antorchas (1998). Premio a la trayectoria (2018) del Fondo Nacional de la Artes.

Damian Christinger (*1975, Zurich) studied Global Art History and Intercultural Studies. He works as an independent curator, writer, and lectures at different institutions on transcultural theory and practice, the Anthropocene and indigenous knowledge. In October 2023 he co-curated the show “Spatial Solidarities” with Studio Other Spaces, Olafur Eliasson and Sebastian Behmann, examining the role of architecture, art, and design in sustainability at das Gelbe Haus, Flims, and in December 2023 co-curated (with Ravi Agarwal) an exhibition titled “Time as a Mother” for the Serendipity Festival in Goa. His latest essays appeared in publications like Artreview, Kunstbulletin, Diaphanes Magazine, and On-Curating. He serves on the board of the Shyama Foundation, Delhi, the advisory board of Re-Source, the sustainability department of the University of the Arts, Zurich, and the board of ILEA (Institute for Land and Environmental Art), Switzerland. He is also a curatorial advisor for the Safiental Biennale 2024, Switzerland, the Kirloskar Foundation, Pune, India, and the Bergen Assembly 2025, Norway.

Madhuja Mukherjee’s archival research evolves into art practice, filmmaking, curation and academic work. Her academic research involves subjects of industrial history, trans-regional networks, media ecologies, sound cultures, women, work, urban history, and the public. Madhuja’s media-installations use residual material, alongside sculptural objects, video and sound. She creates environments intermediality and explores questions of the planetary. Madhuja adapted and illustrated Kangal Malsat graphic-novel (2013), and has contributed to comic-book anthologies. Her feature-films have been screened at the International Film Festival Rotterdam and Busan International Film Festival. Madhuja is the artistic director of TENT Biennale Kolkata, a festival for experimental films and new media art (since 2014), and Professor of Film Studies at Jadavpur University, Kolkata.

EAEFF 24 Open Call WINNERS and SPECIAL MENTIONS

SHORT – MID DURATION CATEGORY

Winner:

Birth of a Grenade
by Shubhangi Singh

Special Mention:

In Flanders Fields (ਫਲੈਂਡਰਸ ਦੀ ਜ਼ਮੀਂ ਵਿੱਚ)
by Sachin

LONG DURATION CATEGORY

Winner:

Night and Fear
by Lipika Singh Darai

Special Mention:

Delusional Decays
by Nongthombam Tushar

Leave a Reply

Your email address will not be published. Required fields are marked *

Previous post Ramraj Unveils Luxurious Tissue Dhoti Collection: 7 Colors for a Refined Look
Next post EdgeProp announces winners of EdgeProp Excellence Awards 2024; City Developments, GuocoLand, SingHaiyi Group and UOL Group are Top Developers